After the fallout with Dr. Polaris, Simon Baz and Jessica Cruz are contacted by Corps Leader Jon Stewart. Baz and Cruz are then transported to Mogo against their will to meet with the Green Lantern Corps for the first time.
This issue was particularly interesting to read since it’s something we haven’t seen yet in Green Lanterns. Although the recent issues have been pretty intense with action and adventure it was nice to see a slower pace in story. The book takes place on Mogo and spends most of the book introducing Cruz and Baz to the corps.
The writing and art as always are on point. That being said I don’t completely agree with Cruz and Baz being told they aren’t ready to be Green Lanterns. After everything they’ve done so far and accomplished I don’t think that was deserved. The amount of times they’ve overcome their fears and saved the Earth, especially Jessica who as you all know suffers from anxiety, I think has well earned their colors.
John Stewart was pretty annoying in this issue. Pretty much anyone in the Corps who spoke to Jessica and Simon were treating them as if they were on their first day. The Green Lantern Corps has been lost in space and the only Lanterns that are available are Baz and Cruz. In the short time they’ve been Lanterns they’ve become members of the Justice League and defended the world and saved it countless times. So even if John didn’t know what they’ve done while he’s been gone, at least he could have given them the benefit of the doubt since the world’s still intact and they’re not dead.
Overall this is an exciting book even though it’s not as action packed as the last issue. Spending more time with Simon and Jessica with the Corps I think is needed and should probably have the pace next issue as well. Ronan Cliquet’s illustrations really impress in this book especially when there’s so much going on in a single panel. Humphries writing again does great at making Simon and Jessica seem more like real people rather than just your average comic book characters.
The conclusion of Batman #21 had everyone in shock as The Reverse Flash vanished for an instant and upon his return he claimed he saw “God” before what looked like something sucked away his life force and he died. This book opens with the crime scene in the Batcave and already im hooked in. A lot of great writing in here which I thought would be an tough to follow since Batman #21 was so well written..
This books got a few emotional scenes that make you remember who Batman and Flash are under those masks. While staring at Thawnes corpse Barry looks up and simply says “its over mom”. That line alone was like if that chapter of Barry Allen’s life was finally closed and you felt that relief yourself when you read it. Josh Williamson and Howard Porter really do an amazing job at opening up the DC Universe giving you a gorgeous visual of what exactly has been taken from time.
This being a Flash book doesn’t seem to hold back from really diving into Bruce Wayne’s character. We’ve all seen Bruce’s parents get gunned down so much that we’ve become so used to it that we have no emotional sadness to feel for him. Seeing it so much doesn’t have that same effect as it did when we first seen it so when we hear Bruce talk about his parents being dead it goes through one ear and out the other.
This book really brought that feeling back in a big bad way. Batman has a wonderful moment with Flash when he tells him that after the button had that reaction to the Psycho Pirates mask, he saw his fathers ghost. When Barry asks him how could he recognize him as his father in a Bat suit? Bruce gives the perfect response with “I would know him anywhere” then explains how his father carried himself a certain way and even recognized his voice. This panel alone shows you just how much his parents meant to him and he’ll never forget a single thing about them.
And if that wasn’t enough for you after Bruce and Barry travel through time and end up crashing and landing in a familiar cave, Batman instantly recognizes it as the place his dad found him when he was a kid, and it looked like it did when he first started patrol. Batman thinks he went back in time, but he sees Joe Chills gun and knows they never recovered it from that night at the crime scene of his parents. Bruce hears a voice behind him and discovers that they are in Flashpoint and Bruce is reunited with his father Thomas.
This ending was so emotional especially after Reverse Flash destroyed his fathers letter he wrote him in Flashpoint. This was easily one of my favorite Batman stories of all time. None of this was expected and im itching for the next issue.
Since the game changer DC Universe Rebirth we’ve been eager to find out how and why the DC universe’s timeline has been altered, and who the cloaked mystery man is that is collecting and keeping familiar faces captive. It all began with that last panel in Rebirth with Batman holding up the infamous bloody button that belonged to none other than The Comedian from The Watchmen.
This first issue of the four part series “The Button” starts with Batman #21. This was the perfect start for this particular type of story. Rushing probably one of the biggest events to happen in the DC Universe would be a bad move, but starting at a steady pace but also giving the reader just enough to fill their geek heads with excitement. Tying this story directly back to Flashpoint was a fantastic thing to see and it reminds readers just how far back this goes and just how serious this event is.
Tom King does a great job of bringing Flashpoint and Rebirth together in this issue. Holding this issue together with little amount of characters to use. Jason Fabok once again nails the visuals in this issue. Much more lighter tone than the “I Am Bane”, but its still proves that you can say so much by saying nothing at all. Both work so well together again to tell a great story while both not mirroring each other.
Everything you need to start a good story is in this first issue. This is this the first to many events I assume so covering everything in this four part would be underwhelming. From beginning to end this issue gives its all. It has heart, action, suspense, and when it ends it has you begging for just one more page.
In 2002 The Ring introduced one of the most iconic faces in horror today. Even if you’ve never seen this film, you instantly recognize Samara the little ghost girl with bad hair who comes out of your TV and kills you after 7 days if you’ve watched her video tape. It introduced a new kind of suspense. Seeing her crawl out of that well and then take what feels like another 7 days to get to her victim was intense and kept you watching.
Rings however just did not bring any of that back to the table. The opening scene was a mess and took me out of the movie right away. We get a nervous man sitting next to a woman on a plane. They introduce themselves right away and out of nowhere he tells her that he’s scared about a video tape he watched and supposedly a girl kills you after 7 days and how he has to just stay alive for the next 10 minutes. Okay not something you should tell a complete stranger on a plane. She gets up and talks to her friend about how “the hot guy is freaking out about a killer video tape”. The friend immediately runs over to him and asks him if he made a copy for someone else to watch and he replies with “no” and she already knows its too late and everyone on the plane is going to die. What bothers me the most about this opening is how sudden everything happens and it felt like something you would tell for a campfire story. What are the odds that someone else on the same plane knew about the tape? Gabriel (Johnny Galecki) is my favorite character in this film and also the one with the most interesting story. Gabriel finds the tape at a flea market, watches it, and then Samara calls him to confirm his appointment. He then has cryptic visions after the call which I thought was a nice touch and should have been used in the previous two films. Gabriel is a college teacher and after watching the tape tries to prove the existence of spirits by studying Samara and the tape, but also showing it to his students which he has a whole formula for which is something we’ve never seen and they barely show us anything about it at all. Photos of students with warped faces, monitors of time left until death for everyone who watches the tape. Instead of focusing on that story they chose to focus on Julia a character that didn’t really need to be a part of the film at all. Julia inserts herself into trouble when its not necessary. Watching the tape to protect her boyfriend and then her boyfriend having to protect her puts them in the same situation to begin with. Julia has nightmares of Samara before she even watches the tape and apparently is the chosen one who is supposed to solve the mystery behind Samara. I remember The Ring Two and Samara being locked away for good in the well which lead to a happy ending. Its unclear and unexplained how she’s back and haunting again. Gabriel exits the film and leaves his research to Julia and Holt when he really doesn’t need to leave at all. This film is cluttered and it felt like the filmmakers didn’t know which direction to go with. Although the story is a mess I really enjoyed the special effects. Seeing Samara come out of a TV that was face down looked amazing. This was an okay film, but instead of focusing on a new compelling story, it chose to release a film that felt more like a failed homage to the previous films rather than focus on the new elements that could have been a great new take on an iconic story for a new generation to enjoy as well as original fans to fall back in love with.